Clayton Moore.
The Lone Ranger.
And his faithful Indian companion, Tonto, played by Jay Silverheels.
With their horses, Scout and Silver.
And, even now, I can never hear the finale of Rossini's William Tell Overture without wanting to return to those thrilling days of yesteryear.
As a little kid, I always liked it that the Ranger wore a mask, so that his good deeds were anonymous, and that he never stuck around for a "thank you" after saving somebody's grits. I admired that he used bullets made of silver to remind himself that life was precious -- even the bad guy's life -- and that he didn't shoot to kill, but to disarm, a practice that may be of extremely limited tactical utility in real life.
Funny thing, Moore and Silverheels apparently came to take their parts --- and their position as "role models" for us kids -- very seriously.
Three parts of the "Lone Ranger Creed" that stuck with me:
- that all men are created equal and that everyone has within himself the power to make this a better world.
- being prepared physically, mentally, and morally to fight when necessary for that which is right.
- that all things change but truth, and that truth alone, lives on forever.
Like the Lone Ranger, I sometimes wear a mask.
Unlike the Lone Ranger, I am sometimes, of moral imperative, an outlaw.
aac
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.