There’s a persistent myth in history about the “Lost Colony”
of Roanoake that disappeared, the story goes, without a trace -- and a shiver
goes up the spine...
The thing is, there’s no mystery at all.
The colonists didn’t “disappear.” They simply went back to
Croatoan and, indeed, left a message that that’s where they had gone. The
“mystery” was contrived a couple hundred years later, for reasons of the
contrivers’ own. The “lost” colony
was never really lost at all. (Don’t take my word for it; look it up.)
One of the most persistent myths about swordplay is that
there has been no “line of succession” from the fencing masters of the 16th
and 17th Centuries to the fencing masters of the 20th and
21st Centuries. That
is, some would have you believe that the knowledge of how to handle a rapier
effectively had been “lost,” and had to be “rediscovered” by modern researchers
who then had to reconstitute the meaning of it all by poring over ancient texts
with a sword in one hand and a dictionary in the other, by the light of the
midnight oil.
That’s incredibly silly and more than a little dishonest.
It reminds me very much of impudent adolescents who think
they’ve “discovered” sex, and attempt to keep it all secret because their
parents would never understand. It
never dawns on these upstarts that their parent too have had sex – or these
kiddies wouldn’t be here to “discover” it in the first place. These are
children who deny their forebears’ sexuality in order to keep it for
themselves, who would be “traumatized” at accidentally witnessing their parents
having sex, and no doubt completely astounded by the width, depth and breadth
of their parents’ sexual knowledge and experience.
Because they cannot comprehend their parents’ sexuality,
instead of simply asking their parents about sexual things, they become
researchers who pore over ancient texts do “rediscover” “lost” knowledge of fellatio, frottage
and other earthy delights. I can see them now, book in one hand ---- no, belay
that.
Recently, I re-read Ridolfo Capo Ferro’s “Gran Simulacro….” as translated by
Mr. Tom Leoni. Now, I don’t have any quibble with Mr.
Leoni I don’t know the
gentleman, and I’m not suggesting that he is one of those misguided persons who
believes the “lost fencing colony” myth. I think his translation is as good as
any, (indeed, I just ordered a copy of his translation of Giganti) and I think
he had some worthwhile ideas on structuring the text, adding notes, etc. I’d
say he did a nice job, overall – at least it all makes perfect fencing sense.
How do I know it all
makes perfect fencing sense?
Because I’ve been teaching the very same things for several
decades.
You see, I had the privilege and pleasure of learning my
craft from Maitre Jean-Jacques Gillet, back when fencing still resembled
swordplay, back before the “sport” of fencing departed so completely from the
combat logic and verisimilitude on which fencing practice was once based.
I also had the wonderful opportunity to spend time with my
very esteemed colleague, the late Dr. William Gaugler, and compare notes with
his Italian method.
There’s utterly nothing in Capo Ferro that Maitre Gillet
didn’t teach routinely, nor is there anything that Maestro Gaugler didn’t also
incorporate into his teaching.
This should come as no surprise – but I know, to some, it
does.
A sword is a sword is a sword.
That tool hasn’t changed all that much over the centuries,
because the job it was created to do remains the same.
It’s all still there.
A bit more refined. A little tweak here and a little tweak
there.
But, fundamentally, it’s the same old same old.
So why do some people think fencing had to be
“rediscovered?”
When you listen to Bach, or Brubeck, what do you hear?
Me, I hear scales. Patterns. Infinitely varied, but very
recognizable, scales and patterns.
I didn’t always hear them. I had to become a better educated
musician before I could hear those connections, appreciate the similarities.
Likewise, you have to be a relatively educated swordsman
before you can appreciate that you are doing in 2012, fundamentally the same
actions they were doing in 1612.
The same scales and patterns.
Maybe in a different key.
If you want to be a doctor, you don’t pore over ancient
texts to rediscover “lost” knowledge of medicine.
You go to medical school where they can teach you.
If you want to learn to wield a sword effectively, you don’t
pore over ancient texts to rediscover “lost” knowledge of fencing.
You go to a fencing master who can teach you.
But you’d better hurry. It’s a dying breed.
aac
Having studied with both of you, I believe that you and Mr. Leoni would have a great deal of common ground.
ReplyDeleteI've found that those who have a "lost knowledge" concept of fencing tend to be either A. very new to fencing and have most of their knowledge come from movies or B. a person who feels the need to be special by knowing "secrets and hidden mysteries".
ReplyDeleteThere's a very visible link from the fencing with rapiers of the late 16th century and early 17th century through to the classical and modern fencing of today. Anyone who says otherwise is either misinformed or selling something.
people who are interested in historical fencing are generally interested in the historical part as much or more than the fencing part. Or at least that's what I've found from the local historical fencing groups.