Monday, May 14, 2012

On the Reinvention of the Wheel


There’s a persistent myth in history about the “Lost Colony” of Roanoake that disappeared, the story goes, without a trace -- and a shiver goes up the spine...
The thing is, there’s no mystery at all.
The colonists didn’t “disappear.” They simply went back to Croatoan and, indeed, left a message that that’s where they had gone. The “mystery” was contrived a couple hundred years later, for reasons of the contrivers’ own.  The “lost” colony was never really lost at all. (Don’t take my word for it; look it up.)

One of the most persistent myths about swordplay is that there has been no “line of succession” from the fencing masters of the 16th and 17th Centuries to the fencing masters of the 20th and 21st Centuries.  That is, some would have you believe that the knowledge of how to handle a rapier effectively had been “lost,” and had to be “rediscovered” by modern researchers who then had to reconstitute the meaning of it all by poring over ancient texts with a sword in one hand and a dictionary in the other, by the light of the midnight oil.

That’s incredibly silly and more than a little dishonest.

It reminds me very much of impudent adolescents who think they’ve “discovered” sex, and attempt to keep it all secret because their parents would never understand.  It never dawns on these upstarts that their parent too have had sex – or these kiddies wouldn’t be here to “discover” it in the first place. These are children who deny their forebears’ sexuality in order to keep it for themselves, who would be “traumatized” at accidentally witnessing their parents having sex, and no doubt completely astounded by the width, depth and breadth of their parents’ sexual knowledge and experience.
Because they cannot comprehend their parents’ sexuality, instead of simply asking their parents about sexual things, they become researchers who pore over ancient texts do “rediscover”  “lost” knowledge of fellatio, frottage and other earthy delights. I can see them now, book in one hand ---- no, belay that.

Recently, I re-read Ridolfo Capo Ferro’s  “Gran Simulacro….”  as translated by
Mr. Tom Leoni. Now, I don’t have any quibble with Mr. Leoni    I don’t know the gentleman, and I’m not suggesting that he is one of those misguided persons who believes the “lost fencing colony” myth. I think his translation is as good as any, (indeed, I just ordered a copy of his translation of Giganti) and I think he had some worthwhile ideas on structuring the text, adding notes, etc. I’d say he did a nice job, overall – at least it all makes perfect fencing sense.

How do I know it all makes perfect fencing sense?
Because I’ve been teaching the very same things for several decades.

You see, I had the privilege and pleasure of learning my craft from Maitre Jean-Jacques Gillet, back when fencing still resembled swordplay, back before the “sport” of fencing departed so completely from the combat logic and verisimilitude on which fencing practice was once based.
I also had the wonderful opportunity to spend time with my very esteemed colleague, the late Dr. William Gaugler, and compare notes with his Italian method.
There’s utterly nothing in Capo Ferro that Maitre Gillet didn’t teach routinely, nor is there anything that Maestro Gaugler didn’t also incorporate into his teaching.
This should come as no surprise – but I know, to some, it does.

A sword is a sword is a sword.
That tool hasn’t changed all that much over the centuries, because the job it was created to do remains the same.
It’s all still there.
A bit more refined. A little tweak here and a little tweak there.
But, fundamentally, it’s the same old same old.

So why do some people think fencing had to be “rediscovered?”

When you listen to Bach, or Brubeck, what do you hear?
Me, I hear scales. Patterns. Infinitely varied, but very recognizable, scales and patterns.
I didn’t always hear them. I had to become a better educated musician before I could hear those connections, appreciate the similarities.

Likewise, you have to be a relatively educated swordsman before you can appreciate that you are doing in 2012, fundamentally the same actions they were doing in 1612.
The same scales and patterns.
Maybe in a different key.

If you want to be a doctor, you don’t pore over ancient texts to rediscover “lost” knowledge of medicine.
You go to medical school where they can teach you.

If you want to learn to wield a sword effectively, you don’t pore over ancient texts to rediscover “lost” knowledge of fencing.
You go to a fencing master who can teach you.

But you’d better hurry. It’s a dying breed.


aac


2 comments:

  1. Having studied with both of you, I believe that you and Mr. Leoni would have a great deal of common ground.

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  2. I've found that those who have a "lost knowledge" concept of fencing tend to be either A. very new to fencing and have most of their knowledge come from movies or B. a person who feels the need to be special by knowing "secrets and hidden mysteries".

    There's a very visible link from the fencing with rapiers of the late 16th century and early 17th century through to the classical and modern fencing of today. Anyone who says otherwise is either misinformed or selling something.

    people who are interested in historical fencing are generally interested in the historical part as much or more than the fencing part. Or at least that's what I've found from the local historical fencing groups.

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